Considered one of the most beautiful in Egypt, the Church of
the Holy Virgin at Gabal al-Tayr (Gebel al-Tair, Dair al-Adhra,
Deir al-Adra, Gebal al-Kaff) is also sometimes known as the
Monastery (or Convent) of the Pulley (Deir al-Baqara), because
originally one entered the monastery from the base of the
cliff up a crevice in the rock by means of a pulley.
This Christian
church stands
on the east bank of the Nile some forty kilometers north of
the Minya Bridge in Middle
Egypt and just east of the city of Samalut. One may cross the Nile from
Bayahu to Gabal al-Tayr by felucca boat, though there is no regular
service and it may take up top two hours for the crossing
depending on the wind. After reaching the east bank of the
Nile one must climb 166 steps up a cliff to reach the church.
The building sit among the dwellings of Gabal al-Tayr, on top
of a rock from which one has a wonderful view of the Nile
Valley with its carefully cultivated fields and lush palm tree
groves.
There are several names associated with this place. Gabal
al-Tayr can be translated as the "mountain of the
birds", so named because of the thousands of birds that
live and nest in the cliffs. It is also called Gabal al-Kaff,
meaning the "mountain of the hand". Tradition holds
that this was one of the locations that the Holy Family
visited in their wanderings in Egypt. It is said that, while
passing by this place in a small boat headed up river, the
Holy Virgin noticed an enormous rock coming loose from the
mountain which was about to fall on the boat and its
occupants. By extending his hand, the child Jesus promptly
intervened and stopped the rock from falling on the boat. The
shape of the hand remained miraculously imprinted on the rock.
Abu al-Makarim, a well known early historian of Christian
monasteries and churches in Egypt visited the site and tells
us that:
"This church is hewn out of the
mountain-side, and in the rock is the mark of the palm of
the hand of the Lord Christ, to whom be glory! which was
made when he touched the mountain, when it bowed in
adoration before him, after he had gone down thither from
Syria. He grasped the mountain, when it worshipped before
him, and restored it to its place with his hand; so that the
mark of his palm remains impressed upon that mountain to the
present day."
Regrettably, in 1168 while campaigning in Egypt, Amaury,
the sovereign of Jerusalem, removed the part of the rock
bearing this imprint and took it with him to Syria.
It is said that the Church of the Holy Virgin was built by
the empress Helena (mother of the Emperor Constantine) in memory of the passage of the Holy
Family. A memorial tablet on the west wall indicates that the
first structure was completed in the year 328 AD and repaired
by Severus, the bishop of Minya, in 1938. In reality, the
original edifice was probably a tomb dating from the late
Roman period which was transformed into a church during the
7th century. Indeed, its shape is comparable to that of the
funerary monuments of Roman
Egypt.
Dair al-Adhra was inhabited by monks until the middle of
the 19th century, a fact that is substantiated by various
visitors, including Wansleben (1672), F. L. Norden (1740),
Richardson (1816), Henniker (1819), and Lord Cursor
(1838).
At first glance, the church looks not unlike a modern,
massive brick construct with a steeple in the northeast corner.
However, it is carved entirely from the rock. The renovation
and restoration work carried out in 1938 included the removal
of the original stone roof in order to make the church taller
so that a second level could be added. Extra rooms were added
on the south and west sides. Traditionally, this church is
where the local Coptic Christians have their children
baptized, and to fill this need, a very large building has
recently been built next to the church which contains seven
baptismal fonts.
The church itself has a naos, which consists of a nave with
two side aisles and a western return aisle, and three
sanctuaries. Ten columns hewn from the rock separate the small
side aisles and western return aisle. On the south side of the
church, the baptismal font has been carved in a column. The
area in front of the middle sanctuary, which is raised about
one meter above the nave, serves as a Choir (Khurus). The
choir is approached by a double flight of steps. Two columns
with exquisite Corinthian capitals delineate this space, which
prolongs the nave. The central sanctuary is located behind an
iconostasis (screen), and is also hew from the rock. It is
decorated with small pilasters and niches that are
characteristic of ancient Upper Egyptian churches. The small
room to the south of the sanctuary was probably the ancient
narthex (entrance area), and is thought to be the oldest part
of the church.

Above and below: Inside view of the church

Above the west entrance friezes from ancient Christian
edifices in the area
present motifs drawn from the vegetal and animal realms. One,
which shows seven human figures, is especially interesting.
Each of the these are depicted within a niche, and holding a
book in the left hand. These human figures probably represent
seven apostles, and were once a part of a larger composition,
the rest of which is now lost.

The friezes in the west entrance
The Church of the Holy Virgin is the goal of a pilgrimage
which attracts annually tens of thousands of pilgrims who come
by feluccas, trains, busses and other transport from all over Egypt for the
Feast (Moulid)
of the Assumption of the Holy Virgin, which is
celebrated on August 22nd.
References:
| Title |
Author |
Date |
Publisher |
Reference
Number |
| 2000 Years of Coptic
Christianity |
Meinardus, Otto F. A. |
1999 |
American University in Cairo
Press, The |
ISBN 977 424 5113 |
| Christian Egypt: Coptic Art
and Monuments Through Two Millennia |
Capuani, Massimo |
1999 |
Liturgical Press, The |
ISBN 0-8146-2406-5 |
| Churches and Monasteries of
Egypt and Some Neigbouring Countires, The |
Abu Salih, The Armenian,
Edited and Translated by Evetts, B.T.A. |
2001 |
Gorgias Press |
ISBN 0-9715986-7-3 |
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