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The last Ayyubid
sultan of Egypt was al-Salih Najm al-Din
Ayyub, who died defending Egypt against the Crusader attack
that was led by Louis IX. He was the grandson of the more
famous Salah al-Din Ayyub, known in the West as Saladdin.
However, before his death, he built a rather unique school (madrasa)
between 1242 and 1244, with the later addition of a tomb. This
mausoleum was built in 1250 by Shajarat al-Durr, the wife of
Salih al-Din who outlived him and became famous as she ruled
with the first of the Mamluk sultans after his death. Though
several madrasas were built in al-Qahira and al-Fustat (modern
Cairo) during
this period, many of them amongst houses and palaces, this is
about the only one to have survived in a condition that allows
its design to be fully explored.
The construct is unique in that it was the first known
example of a tomb being attached to a madrasa. The
transitional zone of the mausoleum has the earliest example of
a Cairene three-tiered brick muqarnas squince. Another notable
feature of the mausoleum is that its Mihrab is the earliest
extant example of an Egyptian prayer niche with a marble
lining, and there remains a fine, wooden cenotaph marking the
tomb itself. There are two carved wooden Qaranic friezes
around the chamber. A part of the mausoleum protruded into the
street and on this side were windows fronted by iron grilles,
behind which sat the reciters of the Qur'an, whose recitations
invoked the blessings of those passing by. The Mausoleum
became a site of grand Bahri Mamluk ceremonials, for it was
here that new Mamluk amirs, upon descending from the Citadel
in a long procession, pledged allegiance to the sultan.
However, perhaps more importantly, this monument's madrasa
was the first to be built to house all four Sunni legal
schools, each in a separate iwan. Other schools of this period
were dedicated to either the Maliki or Shafi'i rites of
Islamic law, but this once also included the Hanafi and
Hanbali rites as well. In doing so, it followed the example of
the Madrasa Mustansiriyya in Baghdad (1233). This tradition
would provide an evolutionary path to the cruciform plan under
the later Mamluks. In 1330, under the Mamluks, the
Friday sermon was introduced to this madrasa. However, the
madrasa came to be more than just a center of worship and
scholarship. here, the four chief religious justices, or qadis,
heard cases referred to them from lower courts. Throughout
much of the Mamluk period, they formed the supreme judicial
tribune of the state, and hence, this construct became the
center of town, the courthouse square of Cairo.
The Madrasa of al-Salih Najm al-Din Ayyub occupies part of
the site where the Great Fatimid Palace once stood within the
heart of the Fatimid city, as does part of the famous Khan
el-Khalili bazar. It is rather difficult to spot because only
the minaret remains visible behind a row of shops. This
minaret is the only one to have survived intact that dates
from the Ayyubid Period. The minaret rests upon the roof of a
passage and consists of a rectangular shaft, receding into a
second story in the shape of an octagon, and topped by a
ribbed, angular roof resting on stalactites. This cap is reminiscent
of that of the Abu 'l-Ghadanfar built during the late Fatimid
period which marks the beginning of this mabkhara
(incense-burner, a term introduced by Orientalist Richard
Burton, who had been told that the Fatimid Caliph al-Hakim
burned incense in his minarets to perfume the mosque), or
pepperpot shape in minaret architecture. The rectangular
shaft of the minaret is really not very visible on the street
side, but in the back it is adorned with keel-arched panels
with fluted hoods of carved stucco. Above this, the octagonal
level is decorated with lobed openings and stalactites. These
stalactites mark the earliest example in the decoration of a
minaret helmet, a feature that later forms an integral part of
mabkhara minaret decoration.
The passage that the minaret rests upon is today known as
Harat al-Salihiya, and it separates the two wings of the
madrasa. The entrance to the ally is actually the doorway to
the madrasa. Some relics of wooden beams indicate that this
passage was originally covered. The passage entrance is
crowned with a beautiful keel-arched niche of carved stone
with a foundation inscription of naskhi script in its center.
Flutes radiate from this decoration outward evolving into a
frame of stalactites on the the border of the niche. Flanking
this large central niche are two somewhat smaller recesses
that also have fluted hoods within a rectangular frame with
stalactite cresting.
The facade that fronted both wings still stands, adorned
with niches, reliefs and inscriptions. The decoration of this
facade is somewhat similar to that of the nearby Aqmar
mosque,
though it is partially hidden by shops. Its most visible
adornments are panels consisting of a keel-arched central
section and rectangular panels over the remainder. Each of
these panels is recessed and includes a windows, a style first
appearing at the Mosque of al-Salib Tala'i. The lintels of
these windows are carved in stone.
The plan of the madrasa was reconstructed by Creswell, who
found that it was a near duplicate of the earlier ruined
madrasa of al-Malik al-Kamil which stood across the street.
His plan shows that the two opposing wings on either side of
the passage each had their own courtyards, though that of al-Kamil
had only one courtyard with two iwans. In al-Shaih al-Din's
madrasa, the courtyards each had two vaulted iwans facing each
other across the courtyards. These four iwans divided between
the two wings served as study areas, each designated to one of
the four schools. Teachers actually taught in their own
houses. The courtyard in the wing with its back to the
street was smaller, while the other larger wing was oriented
to Mecca. The qibla orientation of the interior of this larger
wing, which followed the street alignment, was accomplished by
gradually increasing the thickness of the wall of the qibla
facade. Thus, the windows gradually became deep recesses. The
lateral sides of each courtyard were occupied by two stories
of living units for the students. Today, only the northwest
iwan has survived. A doorway just to the left of the passage
entrance gives access into the open courtyard, where the
remains of the madrasa are evident in the form one of its
iwans still standing on the street side. A small, recent
mosque was at one time built into it.
This monument represents the architectural and institutional transition between the Fatimid monuments and the subsequent Mamluk complexes.
Hence, The 13th century minaret of the madrasa of Al Salih
al-Din, also known as Al Salihiyya, has obviously undergone recent restoration. Clean and sparkling, it shows a patchwork of old and new stone, clearly revealing the layers of its history. Missing areas of decoration have been left missing and yet the overall effect is one of a building that is well cared for.
This restoration shows the special attention provided by Dr.
Nairy Hampikian, an Egyptian-Armenian restoration specialist
who worked with the German Institute of Archaeology on its
preservation, which was competed in 1995.
References:
| Title |
Author |
Date |
Publisher |
Reference
Number |
| Cambridge Illustrated
History Islamic World |
Robinson, Francis |
1996 |
Cambridge University Press |
ISBN 0-521-43510-2 |
| Historical Cairo (A Walk
Through the Islamic City) |
Antonious, Jim |
1988 |
American University in Cairo
Press, The |
ISBN 977-424-497-4 |
| Islamic Monuments in Cairo,
A Practical Guide |
Paker, Richard B.; Sabin,
Robin; Williams, Caroline |
1985 |
American University in Cairo
Press, The |
ISBN 977 424 036 7 |
| Islamic Architecture in
Cairo: An Introduction |
Behrens-Abouseif, Doris |
1992 |
E. J. Brill |
ISBN 90-04-08677-3 |
| Mosque, The: History,
Architectural Development & Regional Diversity |
Frishman, Martin and Khan,
Hasan-Uddin |
1994 |
Thames and Hudson LTD |
ISBN 0-500-34133-8 |
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