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Male child deities in ancient Egypt overlapped considerably in
both their mythology and worship. Sometimes they were
worshipped in both their forms as children and adults, though
that was rare. They usually were the male children of major
deities, and so such child gods
frequently played a role related to the divine conception and
birth of the king.
Some were associated with the mammisis,
or 'birth houses' that were found in later temples.
Horus the Child
Probably one of the best known of the child deities was
Horus the Child, which was actually a name given to a number
of related forms of divine infant. Most were the son of Osiris
and the goddess Isis
whom she birthed in the papyrus marshes of Chemmis (Khemmis)
in the northeast Delta and raised in secret there in fear of
the god Seth.
However, Horus the Child could also be grouped with other
divine parents at specific temples.
At Medamud
he was the son of Montu
and Raettawy, for example.
Horus
the child might have more specific names. For example, in the Pyramid
Texts this god is referred to as 'the child with his
finger in his mouth'. In that form, he was called Harherywadj,
or 'Horus upon his papyrus plants' and sometimes as 'Horus
hidden behind the papyrus'. As 'Horus upon his papyrus
plant', the child deity appears visually in a wall relief in
the temple of Seti I at Abydos as a hawk on a column in the
shape of papyrus reed.
The child deity was most frequently called Harpakhered
(Greek Harpokrates), which translates as 'Horus the Child' and
was often represented in this form as a vulnerable looking
child seated on the lap of Isis
while sucking his thumb, or he could be alone, depicted
standing in the amuletic plaques known as cippi of Horus.
Note that at the top of some cippi of Horus, Bes
is depicted. Bes could protect the solar child as part of the Hathor
myth. However, the 'cippi' itself was that to act as an
amuletic force warding off dangerous creatures.
As Harsiese, he was 'Horus son of Isis', and was clearly
identified in his role as the goddesses' legitimate son and
heir of Osiris.
This was also the case with the related names, Horus iunmutef,
or 'Horus pillar of his mother' and Harnedjitef (Greek
Harendotes) or 'Horus savior of his father'.
Ihy, the Mucisian
The name of Ihy
was interpreted by the Egyptians themselves as 'sistrum
player', or 'musician'. He was a personification of the
jubilation associated with the use of this sacred instrument. However,
another translation of his name could be 'calf', referring to
his relation to the cow goddess Hathor,
who was usually thought to be his mother. This was especially
true at Dendera
and Edfu,
where he appears as Harsomptus. He was also regarded as the
son of a few other deities though, and could be associated in
this way with Isis,
Nephthys
and Sekhmet.
Horus
was most frequently considered to be his father, but he was
also said to be the child of Re.
Ihy
was certainly most often thought of as a deity connected with
music. However, he was also associated with the afterlife in
some contexts. For example, in the Coffin
Texts and also in the Book
of the Dead, Ihy is called 'the lord of bread' and is said
to be 'in charge of the beer' in reference to offerings, but
also possibly with regards to ritual celebrations which
involved intoxication in the worship of Hathor.
Ihy was typically depicted as a naked boy with his thumb in
his mouth, who wears the sidelock of youth. Even though a
child, he is not always depicted in a diminutive size, and may
be shown at the same scale as his mother and other deities or
the king when he appears in the same scene. Sometimes he wears
the uraeus
on his brow and may be depicted holding the sistrum
and the menal necklace which were his symbols. They were also
the symbols of his mother, Hathor.
There is also some limited evidence that he might have at
times also been depicted in the form of a calf.
Ihy,
as the son of Horus
and Hathor,
was one of the triad of deities who were worshipped at Dendera,
which was Ihy's main cult
site. In fact, a very early shrine specifically dedicated to
Hathor and Ihy was rebuilt in this location by the 4th
Dynasty King, Khufu.
The child god played a very significant role in the mammisi of
Nectanebo
I at Dendera where his divine conception and birth, as
well as that of the king, were celebrated. In fact, 'mystery
plays' in thirteen acts concerning the divine birth appear to
have been performed at this location. A second birth house at
this site built by Caesar
Augustus celebrates the divine birth of Ihy as the son of
Hathor.
Neferhetep
In the town of Hiw
near Nag Hammadi, Neferhetep was locally worshipped also as an
infant deity. Though less well known, he was also considered
the child of Hathor.
His name can be translated as 'perfect in conciliation', which
probably reflected the mythological idea that the raging
goddess Hathor was transformed into a gentle and loving
mother. However, he was also viewed as a divine
ram and therefore a symbol of male potency. He was
believed to be loved by 'wives at the site of his beauty', in
which beauty here is a circumlocution for the god's phallus.
Thus, he functioned both as a child, and the power behind the
child's conception.
Nefertem
Normally,
we think of Nefertem
as a god of perfumes but in reality, that was a secondary
association. Primarily, Nefertem was the youthful god of the
lotus blossom which rose from the primeval waters according to
Egyptian myth. Hence, he was not only associated with the blue
lotus
(Nymphaea cerulea), but with the sun god who emerged from
it as well. Therefore, he is frequently associated with Re
as a solar deity.
His name, Nfr-tm, means 'Amun is good' or "he who has
newly appeared is perfect'.
In the Pyramid
Texts he is called 'the Lotus blossom which is before the
nose of Re' and therefore his association with perfume was
both early and natural. He eventually unites with Re
to form a single deity. In spell 249 of the Pyramid Texts, he
is also described as "the king as a flower in the and of
the sun god".
In later periods, Nefertem
was also very closely related to Horus,
the son of Re,
and the two deities were even sometimes merged. At Memphis
during the New
Kingdom, Nefertem came to be associated with the God, Ptah,
and his consort, Sekhmet,
in a very important triad in which he was commonly viewed as
their child In this aspect, Nefertum could take on a
warlike role and be associated with other warlike gods such as
Montu,
Sopdu
and Hormenty, as well as with other
However, other ancient Egyptian cities also claimed Nefertem,
so for example, at Buto
he was the son of the cobra goddess Wadjet
and he was also sometimes viewed as the son of the goddess Bastet.
Nefertem
is most frequently represented anthropomorphically as a male
god wearing a lotus blossom on his head. This headdress is
sometimes augmented by two upright plumes and twin necklace
which hang at its sides. Nefertem may also be depicted as a
lion headed god when he is the son of the leonine goddess Sekhmet.
Even in this guise, he might still infrequently wear his
distinctive lotus headdress. He could also be shown standing
on the back of a lion, but this may have been more closely
connected with his solar association with Re.
The child god usually wears a short kilt and may hold a
khepesh sickle sword, which may be connected to his epithets,
khener tawy, or 'protector of the Two Lands'.
Due to his connection with the primeval creation
myths, Nefertem
may also be depicted as a child seated on a lotus blossom, and
a variation of this motif is found in examples which depict
only the head of the god emerging from the lotus. We have,
from the tomb
of Tutankhamun,
a famous painted wooden example of this form of the god. In
these images, the connection between Nefertem and the infant
sun god is particularly striking, and such representations
could be seen as depicting the king as one or the other, or
even both of these deities.
Nefertem
was primarily a deity of royal and divine monuments and was
therefore not popularly worshipped. In fact, as the son of the
ferocious goddess, Sekhmet,
he was frequently feared. Hence, by the Third
Intermediate Period, amulets
with divine decrees made when a child was born often promised
to protect the child from manifestations of Nefertem, along
with other potentially harmful deities. Yet, and very
interestingly, we also find a few protective amulets depicting
the god that were made during the same period.
Shed, the Savior God of the New Kingdom
Shed was a protective god who was venerated mainly from New
Kingdom times, though he is known to us prior to that period.
In fact, he appears to possibly be an Egyptian aspect of the
Semitic god Reshef. Known as 'He who rescues' or 'the
enchanter', he was the master of wild beasts of the desert and
river as well as weapons of war. He was believed to pursue and
kill dangerous animals. Hence, he was suppose to provide
protection from dangerous animals such as the scorpion as well
as from martial harm. In addition, he also a guardian against
illness and inimical magic.
Shed was associated with Horus, and sometimes appears in
the form of Horus-Shed, to the extent that by the Late Period
he was largely subsumed by Horus.
The iconography of Shed usually depicted a child or young
man, most often with a shaved head except for the sidelock of
youth. He wears a kilt, sometimes with a broad collar and a
quiver slung over his back. He may grasp serpents and wild,
symbolically noxious animals while standing on the back of one
or more crocodiles. This is essentially the same iconographic attributes
found associated with cippi of Horus. Shed is also sometimes
depicted in a chariot that is pulled by a Griffin with a Seth
animal head known as 'the swift one".
It was popular religion that seems to have spawned Shed and
we know of no temples or cult centers for his worship. His
name is attested within individual's personal names, and we
find representations of the god on protective plaques,
pendants and amulets known from a variety of contexts. There
were two staelae found in a chapel in the workmen's village at
Amarna that were dedicated to the god, which is unusual and
shows his popular support, given the restrictive religion of
that period. In fact, it may have been this period of
uncertainty in Egyptian history that caused the rise of Shed
as a savior god.
Other Child Deities
Where there other male child deities worshipped by the
ancient Egyptians? Probably, but though a number of gods were
referred to as the 'sons' of one deity or another, most of
these were actually portrayed as adults (such as the son's of
Horus).
References:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
Complete Gods and Goddesses of Ancient Egypt, The |
Wilkinson, Richard H. |
2003 |
Thames & Hudson, LTD |
ISBN 0-500-05120-8 |
|
Dictionary of Egyptian Gods and Goddesses, A |
Hart, George |
1986 |
Routledge |
ISBN 0-415-05909-7 |
|
Egyptian Religion |
Morenz, Siegfried |
1973 |
Cornell University Press |
ISBN 0-8014-8029-9 |
|
Gods and Myths of Ancient Egypt |
Armour, Robert A. |
1986 |
American University in Cairo Press, The |
ISBN 977 424 669 1 |
|
Gods of the Egyptians, The (Studies in Egyptian Mythology) |
Budge, E. A. Wallis |
1969 |
Dover Publications, Inc. |
ISBN 486-22056-7 |
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