|
Sphinx in Pictures

The Sphinx under excavation, about 1820
The picture of the Sphinx in Richard Pococke's account of his
Egyptian travels, published in 1743, does not altogether escape the classical influence. Erosion and
damage are fairly accurately recorded, but the nose of the monument - gone for several
centuries by Rococke's time - is shown intact.
The Danish marine architect Frederick Norden published the
story of his travels in 1755, with a Sphinx drawing in more recognizably ancient Egyptian spirit. The erosion
of the face and the damaged nose are recorded in Norden's picture and something of the George Washington set of
the head is captured, with its slight Backward tilt. But the eyes, lips and chin
are still not right. With the magnificent Description de l'Egypte that was published over a number of years in the early part of the nineteenth century,
the first really accurate depictions of the Sphinx became available to world
scholarship - in a limited way, for the volumes were necessarily very expensive
and printed in small numbers.
Napoleon's team had done their work well and their efforts in the field were
well served by those who brought out the volumes of the Description hack in France after Napoleon's downfall. The engravings of the Sphinx vividly portray
the damaged state of the face and the head-dress and the erosion of the neck as
Napoleon's engineers and savants found the monument.
At the front, sand came up to the shoulders and nothing of the breast was
visible (until the engineers dug down, possibly just uncovering the Tuthmosis
IV stela before abandoning work); but the whole ridge of the back was visible,
and at the hindquarters the sands fell away to reveal something of the rump of
the Sphinx. What was entirely new in depictions of the Sphinx was that the whole setting of the Giza Plateau was accurately recorded about it, with correct
perspective in the placing and rendering of the pyramids behind it.

The Sphinx by Maxime Du Camp,
1849. From the Photographic Collection of
the New York Public Library.
No doubt the artists who made their sketches on site could avail themselves
of the most up-to-date cameras and other drawing aids. When Howard Vyse published his account of Operations carried on at the Pyramids of Giza in three
volumes in the early 1840s, the first photograph of the Sphinx had not yet been
taken. Howard Vyse’s picture of the Sphinx under excavation by Caviglia shows
the sand dune around the Sphinx quite parlously opened up in front of the breast and round the left shoulder, revealing the front paws and the chapel
between the forelegs.
The Dream Stela is quite well depicted, with something of its graphic design
conveyed, while the jumbled masonry behind it and the column of blocks suggest evidence for the original presence of a statue and the support plate of
the heard. But the distance from enclosure floor to chin is vastly exaggerated
and the disproportion of head and body quite marked. The first photographs of
the Sphinx were taken in 1849 by Maxime Du Camp and published in 1852 in one of the earliest hooks to be extensively illustrated with real photographic
prints made from negatives - in this case calotype paper negatives.

The Sphinx at the extreme right of the photography by Hammerschmidt, 1858.
Du Camp traveled with Flaubert a year or two before Madame Bovary, and
both writers were bowled over by the Sphinx. 'No drawing I have seen conveys
a proper idea of it,' wrote Flaubert, 'the best thing is an excellent photograph
that Max took.' In the better of Du Camp's two photographs, the benefits of the
first modern sand-clearances are still to be seen, but the Dream Stela has apparently gone under again. In the background is the pyramid of Menkaure
with one of its subsidiaries. Khafre's pyramid is out of frame to the right, and
his causeway is entirely invisible under the sands. The featureless and too-light
sky has resulted from the color-blind quality of the early photographic processes.
Back
| Home | Next
Design, Layout and Graphic Art by Jimmy Dunn, an InterCity Oz, Inc. Employee
All content, Graphic Art, Design, Layout, and Scripting Code Copyright 1996 by InterCity Oz, Inc.
|