Twenty-two black wooden shrines were stored in the
innermost room of
Tutankhamun's tomb, and each of
them contained one or two figures of either the king
or a deity. Most of the deities are well known, but
some are scarcely mentioned in
Egyptian religious
literature, and information about their attributes
and connections is very slender. To the latter
category must be assigned this gilded wooden serpent
with eyes of translucent quartz, painted at the back
and set in copper or bronze sockets. In spite of the
shortness of the tail, it is clearly a cobra with
neck dilated like the uraeus on the brow of a king.
An inscription painted in yellow on the black
pedestal describes the deceased Tutankhamun as
"beloved of Netjer-ankh", which leaves no room for
doubt that the name of the serpent deity was Netjer-ankh,
meaning the "living god". A serpent with that name,
or its variant Ankhnetjer, is represented on painted
wooden coffins found in middle Egypt and dating from
some five centuries before the time of Tutankhamun;
on the underside of its hood is the emblem usually
associated with the goddess
Neith, a feature also
seen on the serpent in Tutankhamun's tomb. The
serpent depicted on the coffins is, however, not
shown alone but as one of a group of five serpents,
all with different names and more than one with the
emblem of Neith on its hood. It has been suggested
that each of the serpents originally represented one
of the mystical elements immanent in the royal
uraeus, and thus were minor deities with specialized
functions.
In the Eighteenth Dynasty at
Thebes the priests
of Amun, the national god, endeavored to synthesize
the different local conceptions of the afterlife in
a book called Am Duat, meaning "What is in the
underworld", which describes, with illustrations,
the nocturnal journey of the sun god through the
underworld from the western to the eastern horizons.
The "book" appears, for the first time, on the walls
of the tomb of
Thutmose III, who died a hundred
years before Tutankhamun. It is divided into twelve
sections, each representing both one hour of the
night and a geographical region, the latter being
the subterranean counterpart of an important
cult
center in Egypt itself. The journey was fraught with
dangers, largely caused by malevolent demons that
tried to bar the sun god's progress, but, with the
aid of friendly deities and mysterious demigods, he
always emerged triumphant on the eastern horizon in
the morning. One of the demigods in serpent form,
who acted as the custodian of the entrance to the
sixth section of the underworld, bears the name Netjer-ankh, who may be the same divine entity as
his namesake on the earlier coffins, but to whom the
priests of Amun had assigned a different function.
This serpent, however, does not bear the emblem of
Neith on its hood, although two other serpents,
which assist the sun god in the eleventh section of
the journey, not only bear the emblem, at least in
some representations, but are accompanied by Neith
herself. The name is certainly of greater
significance that the emblem, but it must be
conceded that there is no exact parallel in the Book
of Am Duat, or in any other New Kingdom religious
work, either to the serpent on the
coffins or to
Tutankhamun's gilded serpent. Variations in form, in
function, or in name are not surprising after so
long a lapse of time, and there is little doubt that
Tutankhamun's figure represents one of the serpents
that he believed would help him in his passage
through the underworld, either with the sun god or
actually as the sun god himself.