This handsome object was found with a small
group of articles used in writing. Although
uncommon, it is not unique, nor is it the only
instrument of its kind found in association with the
equipment of a scribe.
Carter himself discovered a
similar too, but made of wood, with a set of writing
implements in a tomb at Thebes, when he was
excavating for Lord Carnarvon in the early years of
this century, and there are four examples in the
Egyptian collection of the Metropolitan Museum, one
of which, though incomplete, still bears the name of
its owner, the scribe Merymatt. From their shape, it
has been deduced that they were used for polishing
sheets of papyrus in order to remove slight
irregularities on the surface that would hinder the
even application of ink.
Papyrus, from which our
word paper is derived, was used by the ancient
Egyptians from very early times. The oldest written
specimens known at present date from the end of the
Fifth Dynasty (about 2380 B.C.), but an unwritten
roll of material that has been identified as papyrus
was found in a First Dynasty tomb (about 3000 B.C.)
at Sakkara, and the hieroglyphic sing that probably
represents a roll of papyrus was used as early as
the First Dynasty.
Sheets of papyrus were made from the stems of a
sedge plant (Cyperus papyrus) that, in
ancient times, grew in the marshes of Lower Egypt.
In the process of manufacture the stems were first
cut into pieces of uniform length, generally about
15 3/4 inches (40 cm.), and the green outer rind was
peeled off. The white inner pith of each piece was
then divided lengthwise into a number of thin, flat
strips, either by slicing it with a knife or again
by peeling. When these preparatory stages were
finished, some of the strips were laid side by side,
perhaps with a fine overlap, on a flat board,
followed by a second layer of strips, similarly
arranged but superimposed on the first layer and
laid at right angles to it. By beating the double
layer with a wooden mallet, the sap was released and
both the individual strips and the two layers became
firmly welded together to form, when dry, a very
durable sheet of writing material. If a document was
too long for one sheet, additional sheets were
pasted together with an adhesive. A burnisher would
be particularly useful for smoothing the step in a
join of such a kind.
Tutankhamun's burnisher is composed of two
pieces, the head and the handle, both of which are
made of ivory. The head is capped with gold foil,
cushioned on a strip of linen coated with an
adhesive on both top and bottom surfaces. It is
inscribed with his name and his throne name, coupled
with his titles and the regular phrase "Given life
like [the sun god] Ra". Carved in one piece with the
head is a stylized lily, the corolla of which is
shaped to fit the rectangular outline of the head,
although the sepals are represented
naturalistically. Unless the yellow appendages are
merely decorative, they may be intended to suggest a
tie attaching the head to the flower. The slender
handle reproduces the thin stem of the lily, here
given the appearance of greater strength by the
binding at the junction of the flower and the stem.
It is evident that such a handle would not withstand
the strain imposed on it in use and therefore the
burnisher was probably a model intended for funerary
purposes. At the base of the handle is a terminal in
the form of a papyrus flower.